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Old New Borrowed Blue #13: M.E.

MissyHeadphonesPerhaps I should not assume that everyone is as obsessed with Missy Elliott’s return as I am, but considering her new video for WTF (WHERE THEY FROM) basically broke the internet yesterday, I know I’m not the only one.  So, for those of you who cannot get enough of M.E., I’ve compiled a few of her outstanding tracks and videos for your enjoyment and consumption.  You may also want to check out some of my archived Video Stars top 10 lists (that admittedly need some updating) in which Missy made a few appearances here, here, and here.  And now for just a few more of M.E.’s memorable multimedia masterpieces.

Something Old:

At first I considered taking “old” as literally as possible, and sharing something from Missy’s girl group days.  My own personal intro to Missy “Misdemeanor” Elliott’s skill and style was on the Dangerous Minds OST, but since Sista never had a video for IT’S ALRIGHT, I’ll stick with the now iconic video from 1997, THE RAIN featuring Hype Williams’ favourite fish-eye lens.

Something New:  

If only Missy’s collaboration with Janet Jackson on BURNITUP! had a video.  While we wait for that (and hopefully a new album!?) I am quite sure that WTF (WHERE THEY FROM) – with all of its personality and energy – will more than suffice (even if the whole thing would benefit from keeping Pharrell behind the soundboard and away from the microphone… ).

Something Borrowed

This was tricky.  For one, the most obvious sample is the fabulous WE RUN THIS, borderline covering APACHE.  Secondly the samples that make up WORK IT are subtle genius, not to mention the video is one of her all time greatest.  Maybe I’ll bring it up here on another day.  And then there’s everyone who ever covered GET UR FREAK ON, highlighting another one of Missy’s more brilliant and memorable videos.  Instead I’ve picked the video for I’M REALLY HOT, which has some amazing dance-off style choreography.  At around the 3:00 minute mark, the video version turns into a bit of a remix of itself, sampling this catchy jazzy piano line used in Soho’s HOT MUSIC (JAZZY MIX).

Although officially sampled from Soho’s mix, the bar of piano is originally lifted from a Marcus Roberts’ solo on Wynton Marsalis track, SKAIN’S DOMAIN from his 1986 album, J Mood.  We’ve only heard about a bar’s worth so far, and these guys swing hard.  The whole thing is definitely worth a listen if you’re up for a break from the visuals.

Something Blue

Generally Missy supplies us with party anthems, but there are a couple tracks where she slows it down.  The woman has definitely mourned her fair share of friends and colleagues, which has been the inspiration for TAKE AWAY and even the video intro for PASS THAT DUTCH.  But TEARY EYED is a breakup song that reminds us of Missy’s serious side and vocal abilities, even if it leaves you wanting to click another link for a bit more rap.

What are your favourite Missy videos?

Old New Borrowed Blue #12: NYC

NYCskyline

Having been to New York City for the first time in my life earlier this month, I feel it’s necessary to fill a blog post with some music from such an inspirational place.  Obviously this is one miniscule sample of the amazing music that has come out of NYC during the past century, but like the city itself, we cannot possibly cover it all in only one day, never mind one post.  Without further ado…

Something Old:

A truly underrated and underplayed doo-wop oldie from 1965, “The Boy from New York City” was the biggest hit (and might as well have been the only single) for The Ad Libs.  It may not be as internationally recognizable as Sinatra’s “New York, New York“, or Simon & Garfunkel’s “59th Street Bridge Song (Feeling Groovy)“, but it’s just as inspired by and reminiscent of that great American city.

Something New:

IMG_0078Ok, so this isn’t meant to be a brag, but I was introduced to this new Talib Kweli track live, with Rapsody at The Blue Note in Greenwich Village.  If that was my only NYC experience, I think I could die happy.  We’re still waiting for Kweli to release his new album, but luckily this New York shot video showed up online a couple of days ago.  And don’t get me started on my new favourite female MC, Rapsody, although she’s from North Carolina, so that will have to wait for another blog post.

Something Borrowed:

It’s easy to find one New Yorker borrowing from another, but this is one that brings such a smile to my face.  KRS-One of Boogie Down Productions is a legendary rapper from Brooklyn that really got his start in hip hop when staying at a homeless shelter in the Bronx.  “The Bridge is Over” is basically a dis-track against Marley Marl’s “The Bridge” and its suggestion that the borough of Queens is the birthplace of hip hop.  To emphasize his point, he references a Bronx-born piano man, Billy Joel, not with an official sample, but with with lyrics, rhythm and vocal inflection.  Since it dropped in 1987, it’s been made a clear classic having been sampled or referenced by more than 80 other tracks.

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Something Blue:

Bob Dylan famously moved to NYC to be near his idol, Woody Guthrie, and has been labeled by some as the original New York hipster (although I think that might have meant something different in the 1960’s).  Dylan has plenty of New York songs and references, but “Hard Times in New York” seems the most appropriate Blues song to close this blog post as a tribute to both New York living, as well as the musical stylistics of Dylan’s hero.  See if you can spot Dylan’s reference to the (perhaps over-played) classic, “This Land is Your Land“…

Old New Borrowed Blue #11: Janet

YoungJanet

This Monday post of Old New Borrowed Blue is brought to you by my exploding excitement about seeing Janet Jackson live in Toronto tomorrow night.  In case you missed it, Janet. Jackson. LIVE.  To prepare myself, and invite all of you into my very happy expectations, let’s listen to some Old, New, Borrowed, and Blue songs from Ms. Jackson (if you’re nasty).

Janet mic face

Something Old: Obviously the most difficult category to choose for, seeing as Janet has 3 decades packed full of energy, sass and nostalgia.  Since I’ve spent some time in the past writing about Rhythm Nation, and recently included “Control” in an ONBB post, I think I will plant myself firmly in Janet’s 90’s catalogue.  In 1993, Janet. (read Janet Period) was the album that signalled a new persona for the youngest Jackson.  Not only did she create distance from the Jackson legacy (and controversy) by dropping hjanetalbumer family name, she also changed from a modest, socially-conscious Rhythm Nation badass into an iconic sex symbol.  And “If” is the single that signals this shift more than any other.  So before I launch into an entire blog post about Janet., let’s enjoy this futuristic, genre-fusion dance track that is bold with desire – “If I was your girl, the things I’d do to you…” – while respecting your boundaries – “but I’m not, so I can’t, then I won’t”, while also making absolutely brilliant musical references to both Peter Gabriel’s “Sledgehammer” and Diana Ross’ “Someday We’ll Be Together”.  My wife recently asked me to pick my favourite Janet track from each decade and I suggested “Together Again” for my 90’s pick… but I think I just changed my own mind.

Something New: One of the many reasons I’m so excited for tomorrow night is to hear a few more new tracks that we can expect to find on Janet’s new album, Unbreakable.  In the meantime I am very happy with the first single/music video “No Sl333p,” which is clearly from the same Janet that gave us the gifts of other sexy slow jams like, “That’s the Way Love Goes” and “Any Time, Any Place.”

Something Borrowed:  Janet Jackson is a queen of both borrowing and being borrowed.  I’ve heard that on the tour I’m about to experience, she actually shows video of Kendrick Lamar performing his Janet tribute, “Poetic Justice,” which is built on samples of “Any Time, Any Place”.  When Janet borrows from someone else’s music, it’s usually both an intentional reference and a sign of great respect.  She is known for not only sampling, but inviting Carly Simon and Joni Mitchell into the studio to rerecord lines from their hit songs for “Son of a Gun” and “Got Till It’s Gone” respectively.  Although there are many examples of “something borrowed” in Janet’s discography, the choice was easy, since one of my favourite Janet dance tunes of all time samples one of my favourite jazz/funk tunes ever, recorded by Herbie Hancock as “Hang Up Your Hang Ups”.  You will probably recognize Janet’s version, “All Nite”, from one of the most memorable music videos of her career.

Here is Hancock performing “Hang Up Your Hang Ups,” live for your reference and enjoyment.

Something Blue: This is already a category that I tend to stretch a little, as genres generally can be quite elastic.  It seems most appropriate to offer something from Janet’s darker and more introspective album, The Velvet Rope, that maintains her sexually charged image while also addressing peVelvetRopersonal issues and conflicts such as domestic abuse, body image, and mental illness.  Incidentally, this is also the album that secures Janet’s place as a gay icon, addressing AIDS, Homophobia, and reimagining Rod Stewart’s “Tonight’s The Night” as a lesbian love song.  Have I mentioned that this woman is my hero?  Anyway, what is the blues if it doesn’t include longing for an ex-lover?  Without further ado, “I Get Lonely”.

Old New Borrowed Blue #10: Brit(ta)n(e)ys

ThunderbitchAlthough all of today’s songs will have something in common, I can’t think of a more diverse and eclectic Old New Borrowed Blue before today.  The inspiration for using the name Brittany/Britney as a theme came from the release of Alabama Shakes’ Brittany Howard’s new punk solo project, Thunderbitch.  But we’ll get to that in a minute.  First up is a slightly more familiar Britney.

BritneySnake

Something Old: It already feels odd to call this 2000 track old, and yet when I watch the video for “Stronger,” it’s impossible not to notice how dated the entire thing is.  What is happening?  Did she transform her cheating ex-boyfriend into a chair that she starts pointing at and dancing/jumping upon?  And why is it that no matter how many times I watch this video, I always hold out hope that she will transform into a werewolf during the bridge, when she ends up in a thunderstorm?  Despite my constant disappointment, “Stronger” is in my opinion Britney Spears’ strongest single from Oops, I Did It Again, or maybe any of her 8 albums.

Something New: And this is where it’s time for some Thunderbitch.  Brittany Howard takes a half-step out of Blues to make a slightly louder, angrier album.  The standout track to me is “Wild Child”, and if you like that, you can stream the whole album for free at thundabetch.com.

http://www.npr.org/player/embed/436697389/437207517

Something Borrowed: I think that “Toxic” was meant to be covered and sampled; I tend to love songs that borrow from “Toxic” far more than the original.  Is it just me, or do Childish Gambino and Danny Brown make Britney Spears sound more eerie and fierce than ever?

Something Blue:  Instead of fishing for another Brit(ta)n(e)y, let’s stick with the music that had me fall in love with Howard’s bluesy vocal and guitar performances from the Alabama Shakes’ debut album, Boys & Girls.  Here they are performing “Hang Loose” for a Seattle radio station.

Old New Borrowed Blue #9

I don’t have any exciting theme for this week, but here are some tunes I’ve been listening to in these last few lazy days of August.

Something Old:  Bill Withers often makes for great summer music, and this is certainly not an exception.

Something New:  If only I listened to the new Snoop Dogg album before last week, “I Knew That” might have been my song of the summer.  Well, now it can be our song of September.

Something Borrowed:  Here’s a great example of a sample that is not in hip hop, lest you think borrowing is a genre-specific technique.  Here we have one of the most innovative bands around sampling one of the most innovative albums ever made, so if that’s not epic, I don’t know what is.

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Something Blue: Remember that myth where a musician sells his soul to the devil for success?  Well it’s attached to a particular guy, and that guy is Robert Leroy Johnson, considered the king of Mississippi Delta blues, and “Crossroads” is about as classic as singing the blues itself.