Diva Madness: The 80’s Era, Round 1
You still have a couple of days to submit your own final four predictions for the Diva Madness Tournament! Just print the brackets below, fill out the winners, and post a photo of the filled in brackets to twitter @djwhysoserious #DivaBrackets. Or you can also fill in this handy google doc. Any brackets shared before March 1st that correctly predict the final four will be entered to win some TBD diva-related prize!
Continuing the theme of a classic ballad, I should warn you that since we’re looking at the 80’s era, you are in for a healthy dose of synthesizer and sax solos. Truth be told, quite a few of these divas continued to make names for themselves in the 90’s, but for the sake of this round we’ll attempt to remain in and experience the decade that brought them into the spotlight.
Madonna (1) vs. Grace Jones (16)
Although Madonna has the top spot in her era, some would argue whether she deserves the diva title. Though she began her career relying heavily on her dance ability and stage presence, her role in Evita caused her to take her vocals seriously. Now, three whole decades later, she has proven herself neither fraud nor fad, and is often crowned the Queen of Pop. Keep in mind that the video below is taken from her 1987 tour, but something tells me you’ll have no problem considering more of her career. Grace Jones may not have the same level of recognition as her competition, but has been equally influential over more recent artists. Her concerts and music videos read as performance art, and though they didn’t always translate to commercial popularity, there is no question that her voice is powerful, and her artistry was ahead of her time.
Paula Abdul (9) vs. Chaka Khan (8)
It is a little odd posting ballads from both of these women who are known for their pop and funk dance tracks. I suppose you’ll have to vote for whoever you’d like to see compete with more upbeat music in the next round. Many now know Paula Abdul by her judge responsibilities on American Idol, X Factor and SYTYCD, but her qualifications for those gigs are based on her incredible performing career. Though Chaka Khan’s musical career began as the front-woman for the funk band Rufus, she went solo in the 80’s, showing off her powerful and sultry voice and stretching the bounds of what could be popular in music. Did you know that her 1984 hit, “I Feel For You,” is the first ever pop song to feature a rapper? Groundbreaker.
Stevie Nicks (5) vs. Kylie Minogue (12)
Stevie Nicks is yet another example of someone who began their musical career in the 70’s singing in a group, but was included in the 80’s category based on her solo career. Her success with Fleetwood Mac set the tone for her reception, having been heralded by Rolling Stone Magazine as the “Reigning Queen of Rock and Roll.” Her deep contralto vocals and her fondness of white flowing fabric have caused some to wonder if she is a witch of some kind. If she is, she certainly has a spell on me. Australian diva Kylie Minogue disappeared for a long time after making it big with her 1987 hit, “The Locomotion.” Actually, that’s not really true – for over a decade she was releasing singles in Australia and the UK that never seemed to make it to North America in significant ways. But in 2001, when radios started “Can’t Get You Out of My Head,” she suddenly flooded back into the American consciousness as a solid performer and diva.
Pat Benatar (13) vs. Gloria Estefan (4)
This may be the hardest decision for me in this bracket, because I love both of these women for such different reasons. Pat Benatar still seems to me to be one of the most powerful woman in rock music history, for her sheer voice and persona. Her songs continue to summon 80’s passion in a quintessential way, making her gritty yet classicly trained voice perfect for a retro film soundtrack. Meanwhile, Gloria Estefan paved the way for Latin artists to cross over into American pop charts. She became a staple at Superbowl and Olympic performances (before this year, she was the only woman to perform and multiple Superbowl halftime shows). If Pat represents 80’s emotional rock, Gloria represents for me a joyful (and possibly naive) optimism.
Janet Jackson (3) vs. Sinead O’Connor (14)
I’m going to go ahead and be honest: I have no idea how to talk about the great Janet Jackson in a tiny paragraph such as this. I will just point out that when it comes to dancing and singing at the same time, very few compare. She is an absolute force to be reckoned with in this competition, and in pure reality. Then again, so is Sinead. Both of these 80’s superstars continue to make music today, and although they are not as popular, I get the feeling they are pleased with their art. Sinead O’Connor is like Sia in the modern era bracket, more of an anti-diva, which makes her even cooler than your average diva. She has risked and lost commercial success in order to stand up for her convictions, which in a backwards kind of way seems pretty freaking diva. Not to mention that voice.
Annie Lennox (11) vs. Ann Wilson (6)
Annie Lennox made a name for herself as half of the synthpop duo Eurythmics, making her diva status known early on for having a rich, soulful alto voice, and pulling off amazing attitude with androgynous style. Since moving on to a solo career, Annie has won the Brit award for Best female artist more than anyone else, and shows up in every list involving female vocalists I’ve ever seen. Ann Wilson has also made a name for herself in a duo, as one half of the Wilson sisters in the huge 80’s band, Heart. While Nancy played guitar and sang harmonies, it was Ann’s unique and dynamic lead vocals mixed with her phenomenal stage presence that thrust this Seattle band into massive commercial success. And it doesn’t hurt that they continue to tour today with nearly as much energy as they had almost 40 years ago.
Cyndi Lauper (7) vs. Sade (10)
Cyndi Lauper started out as a mere pop star, but has grown to be so much more. She is one Oscar away from having an EGOT, having received her Emmy from a guest appearance on the TV show, Mad About You, and a Tony for her score of the musical Kinky Boots. She is known for her activism for the LGBT community, most recently with a focus on ending LGBT youth homelessness in the States. When Sade first started releasing records, she’d print a clear pronunciation of her name on the cover, “Shar-day,” but that is hardly necessary now. This London diva may only have a couple of Grammys, but along with her Brit award, she receives a ton of international acclaim, including a couple of Porin (Croatian music) awards. Her breathy vocals are usually the sexiest thing on any playlist, and over the three decades of her career she’s been constantly touring, while regularly charting on UK and American billboards.
Debbie Gibson (15) vs. Whitney Houston (2)
It may have been a while since Debbie Gibson has had much of a spotlight, but in her day she dominated the charts and looked adorable doing it. She paved the way for every young, cute pop star we’ve seen since, and you may think of that as a negative thing, but the truth is that Debbie could really sing – especially at age 16, when she got her first single, “Only In My Dreams,” a song she wrote herself. Unfortunately however, she’s up against Whitney Houston, who in many ways embodies each and every possible definition of a diva. The drama and addictions took her away from this world way too soon, and yet she still left us three solid decades of timeless music characterized by her powerful, clear, and effortless vocal quality.
Get yourselves prepared to vote on the 90’s bracket, although I can’t promise to have it up this weekend- check back early next week. The Classic era is officially closed, but if you haven’t yet voted for the modern era divas, you still have a chance to make your opinions count. May the best diva win!